Blondes create bodily dance music that treads ecstatic heights.
The duo of Sam Haar and Zach Steinman was last heard demonstrating this transcendent practice – one favoring analog serenity to digital flare – on the duo’s 2012 self-titled debut album. Tracks were titled with conceptual dualisms, released on opposing 12” sides prior to album compilation and gleaned house and techno rudiments with spiritually escapist split ends.
Swisher unfolds as a series of mini-epics rather than a string of banging cuts. Still, the allegiance to the groove remains absolute. Percussive elements are most notably honed on Swisher, drawing a sharp contrast between the rich timbres and vaporous synth sounds that seep throughout the album. Centerpiece “Andrew” and closer “Elise” enhance the melodic concerns of Blondes early material, mantled now in a maturity that favors gradual force.
Physical release out August 6.