Recorded in San Diego at Doubletime Recording Studio, the record begins with sampled beach sounds that soon gives way to a crushing chug riff, raw snare drums and blown-out vocals. “Landloper” is the first of a virulent opening salvo of five-minute tracks, along with “Peaches, Cream and the Placenta” and “The Morphinist,” and between them they essentially act to put up a wall between the four-piece and anyone who might not have the endurance to take on what’s still to come. There’s little interest in letup, but it’s not as if 16 don’t have a dynamic. As “Landloper” thuds to its end — Jerue‘s reverb the last thing to go — it gives way to the slower second cut, just as nasty sounding but more nod than headbang, and “The Morphinist” adds even more stomp to the mix along with lyrics about not trusting doctors, and while there’s some element of chestbeating to it, the riff is undeniable and the track is a highlight.