Edorra are energetic and eviscerating—gutting the listener and leaving them to decay with callous and cruel disregard. The band hit incredible highs on songs like “De Milo,” “The Dark Room” and “Gone,” while only barely touching on slight lows in the somewhat-unnecessary interlude “Forever Lost” (which is still pretty cool). All things considered, Edorra slough off the tired and melodramatic Conqueror name and evolve—undergoing a metamorphosis into something more original and oppressive, combining heaviness from a plethora of styles while adding their own unique and punchy twist. By the time the band’s debut full length is finished wreaking havoc on the listener, they—like the albums name might imply—will be torn apart from the inside out; a Dead City crafted from tattered flesh and broken bone.