"Necromechanical baroque", that is the province of Cult Of Lilith. A frantic collision of death metal, prog, complex classical structures and any other style they wish to incorporate, their debut album, 'Mara', is a restless, constantly shifting collection that is as imaginative as it is compulsive. "The intention was always to write a diverse record with a lot of different influences melded together in an extreme metal package," states guitarist Daniel Þór Hannesson. "We wanted the album to be a journey that never becomes stagnant and that keeps the listener engaged the whole way through. It is important to us as a band to not lock ourselves in a box and always keep options in diversity."