Clark says:
“In some ways these remixes represent the range of music I have released over the 10 years in my albums. But they are more unhinged - there is more freedom involved when using other people’s material. And particularly when friends are involved, it can push you into electric new terrain.
I really enjoyed working with Alma Haser on the cover - I saw her work and instantly found it compelling, I couldn't peel my eyes off of it. I love the idea of exploding hands and eyes that spread out in macabre yet meticulous detail you can almost touch. Music has always been a tactile thing for me - fleshy, substantial. Alma's work perfectly matches that aesthetic.”