A solo recording made with Gary Paczosa in Nashville. It includes several re-recorded songs that are up to ten years old; some from Hadestown (recorded in Anais’ own voice for the first time); and a few new songs that have never been recorded before.
Why xoa? " It’s Mitchell’s customary signoff at the end of a correspondence—“hugs, kisses, Anaïs”—and she sees the project as just that: a correspondence between herself and her audience, especially those familiar with her songs from way back. “I chose the songs in response to requests from people over the years. It felt like the right time. Last summer I had a baby, and I wasn’t sure when I’d be able to get back in the studio, so when the chance came up to work with Gary [Paczosa] on something again, I jumped on it… xoa is what came out of those sessions. If the title were longer, it would be dear audience, thank you for everything”.
Great!